Halina Reijn's 'Babygirl' Puts Her on the International Filmmaking Map

Halina Reijn's Success with 'Babygirl'

Met 'Babygirl,' Halina Reijn establishes herself as an international filmmaker, solidifying the success of her previous films 'Instinct' and 'Bodies Bodies Bodies.'

Attention for 'Babygirl'

The attention 'Babygirl' is receiving, including its screening at Filmhuis Wassenaar, comes as no surprise. Boasting a stellar cast with names like Nicole Kidman, Antonio Banderas, and Harris Dickinson, the film captivates with its stunning visuals and intriguing storyline, showcasing Reijn's filmmaking prowess.

Empowering Female Filmmakers

The buzz around 'Babygirl' highlights the continued novelty of women taking the director's chair and how this impacts the perception of their films. Discussions on whether 'Babygirl' is feminist spark debate, emphasizing the significance of having a woman at the helm.

Filmhuis Wassenaar's multiple screenings of the film, some introduced by film scholar Gerlinda Heywegen, delve into the deeper themes of the film and its place in the legacy of women in masochistic film roles. Reijn's transition from actress to filmmaker raises intriguing questions about her motives and creative drive.

'Babygirl': A Contemporary Masterpiece

Despite the controversy surrounding it, 'Babygirl' stands out as a thought-provoking film of our time, featuring subtle humor and captivating storytelling. The film's allure lies in its ability to resonate with audiences looking for a unique cinematic experience.

Ultimately, 'Babygirl' exemplifies Reijn's artistic evolution and her determination to challenge cinematic norms, inviting viewers to immerse themselves in a modern and engaging narrative.